Steven Perchuk // REPARTUS DE TERRA

250 years in the future, Earth is decimated by climate disaster and war. A group of people flee to a planet named Juno and rebuild humanity on this new planet. In addition to survival, one thing keeps society going in the early years of this new settlement: the promise of one day returning humanity to Earth. As the years go by however, this hope turns into nostalgia for Earth because humanity lacks the technology and resources to return, not to mention that Earth itself has become uninhabitable.
My memorial, named “Repartus de Terra” (“Rebirth of Earth” in Latin), is situated in an open, grassy park roughly the size of New York City’s Central Park. The park as well as the statues located in it operate under the guidelines of the Eleven Junian Commandments to reinforce my vision for the memorial, especially in maintaining its importance and meaning over time. The first addition to this space is a bronze, faceless statue depicting Juno, followed by another statue representing both the good and the bad of humanity every five years, placed sporadically throughout the park.
These statues are decided by the Earth Remembrance Committee and the Prime Minister of Junian society, and Socrates, Da Vinci, a businessman with a bullet hole in his head, and a ragged child are all examples of subsequent figures inducted. There are two categories of statues: specific individuals who represent a specific moment or feat in time, and general figures that are prevalent throughout humanity’s history on Earth. The gap in between each statue induction into the park represents the Five Precepts in Buddhism as well as allowing each generation to leave their impression on the memorial, giving the memorial the ability to transcend time and evolve in meaning.
Grass is an important feature of the memorial. While the grass in the park is maintained, the grass surrounding each statue is only cut every forty years. The statue is completely enveloped by the grass until the Grass Cut, a ritual that serves to rebirth these statues and be a fresh reminder to Junian society of humanity’s tumultuous path on Earth. The number 40 is prominent in Biblical theology, signifying the notion of rebirth. The theme of rebirth is very prevalent in this world as well as in my memorial. Humanity is reborn on Juno, even taking its namesake from the Roman goddess of birth. The Grass Cut celebrations and remembrance is also indicative of rebirth because it represents a renewal of my memorial’s statues and through that a rebirth of a society that holds my memorial in a sacred importance. “Repartus de Terra” represents both the good and the bad of humanity, as both sides together put humanity on this path to Juno.
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